| COLLABORATIVE PIANIST |
AUDITIONS: Preparation, Audition Accompanist
CHAMBER MUSIC CONCERTS
COMPOSER COLLABORATIONS: Contemporary, Post-Contemporary, "New" Music
GROUP AND SOLO REHEARSALS: Opera, Choral, Art Song
PIANO 4-HANDS
RECITALS: Preparation, Performance
SIGHT-READING PIANO-VOCAL AND ORCHESTRAL SCORES THEATRE INCIDENTAL MUSIC |
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COACH
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VOCAL COACHING: Opera, Music Theatre Roles, Art Song (Dramatic Text and Music)
Language/Diction Coaching: Italian, German, French, English, Russian and Spanish by phonetics only
Knowledge of Prosody; (Rhythmic/Semiotic relationships of Prose/Poem to Musical Setting)
Period/Composer Style
INSTRUMENTAL COACHING: Brass, Woodwind, String solo repertoire |
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| COMPOSER |
MUSICAL-THEATRE/OPERA HYBRID FORMS/PARODY
CHORAL: Secular, Sacred
SOLO PIANO
SOLO INSTRUMENTAL: Brass, Woodwind
SOLO VOCAL W/PIANO: Song Cycles, Individual Songs
CHAMBER MUSIC UP TO 6 INSTRUMENTS + VOICE
THEATRE INCIDENTAL MUSIC |
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| MUSICAL DIRECTOR |
CONDUCTING, ASSISTANT CONDUCTING
OPERA CHORUS MASTER
CHOIR/ENSEMBLE DIRECTOR: Group Vocal Exercises, Non-Rote Methods for Non-Readers
SATB PART RENDERING: up to 8 parts simultaneously
OPERA/CONCERTO SCORE REDUCTIONS |
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| ORGANIST |
CHURCH SERVICES: Protestant denominations, Ecumenical, all Judeo-Christian Regular and Holiday Services
WEDDINGS, FUNERALS, BAPTISMS
SOLO ORGAN CONCERTS
ORGAN ACCOMPANIMENTAL: choral, solo instrumental,vocal
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| SOPRANO |
OPERA: Italian Dramatic (Verdi) Soprano: C below middle C to high D
MUSIC THEATRE: Character Roles: Low to Mid Belt, Legit. Age: 35-55
NEW MUSIC: Contemporary Art Song/Opera; Special Composer Collaborations |
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| STAGE DIRECTOR |
DECONSTRUCTIONIST--SEMIOTIC APPROACH, TRADITIONAL APPROACHES
POSTMODERN, AVANT-GARDE AND FEMINIST STAGINGS OF THE TRADITIONAL CANON
TRAINING IN STANISLAVSKI, MEISNER METHODS (REALISM)
DIRECTORS/PLAYWRIGHTS OF SPECIAL INTEREST: Brecht, Grotowski, Mayakovsky, Meyerhold, Shakespeare |
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VOICE INSTRUCTOR
See also my Vocal Instruction
website at:
www.tamaraCvoiceteacher.
vpweb.com |
EXPERT TECHNICAL TRAINING IN PEDAGOGICALLY SOUND VOCAL SCIENCE
PEDAGOGIC TEXTS EMPLOYED: Cesari, Doscher, Estill, Lamperti, Linklater, Sundberg, Vennard, others
TECHNIQUES: Classical, Music Theatre (Legit, Full Belt, Mix), Crossover for Opera Singers
'2-IN-1' DISCOUNT PACKAGES AVAILABLE: A Voice-Lesson Coaching for a Single Low Fee! |
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| WRITER/POET/LIBRETTIST |
ACADEMIC PAPERS (see resumes and performance schedules)
LIBRETTI: Original and Translations from French traditional repertoire
MUSIC CRITICISM /REVIEWS: IAWM Journal, Barnard Bulletin
PUBLISHED POET; knowledge of prosody (relationship of text settings to musical motif, see above description under COACH)
SCRIPT WRITER |
